I use blur not as a flaw, but as a language. In a world saturated with high-definition clarity and relentless precision, my photographs offer a space for ambiguity. I embrace movement, imperfection, and softness to create images that live between the seen and the felt. The blur in my work isn’t an accident—it’s a deliberate act of distortion that invites viewers to pause, imagine, and engage emotionally rather than analytically. My process often involves shooting instinctively—sometimes in motion, sometimes with extended exposure—allowing the camera to witness what the eye can’t hold. Through this technique, familiar subjects dissolve into memory-like impressions, faces turn to echoes, places to moods, and moments to textures. Each image resists the urge to explain and instead leans into sensation, loss, and the beautiful uncertainty of perception. In the blur, I find honesty. In the blur, I find truth
